Osten Coffee Shop — Casa FOA
A territory of dualities: rationalist minimalism and sensory exaltation, at Madero Harbour.
- Status
- Completed
- Type
- Coffee shop — Casa FOA 2025
- Location
- Madero Harbour, Juana Manso 1980, Buenos Aires
- Country
- Argentina
- Area
- 325 m²
- Year
- 2025
- Team
- Arch. Fernando Hitzig
Arch. Leonardo Militello
Arch. Sofía Kesting
Arch. Camila Lacarpia
Arch. Vicente Abello Pueyo
Arch. Milagros Rivelli
Arch. Victoria Nabias
Arch. Julieta Leibovich
The Madero Harbour complex is prominently situated in the enclave of Puerto Madero, that territory where the city reflects itself on the water and the natural negotiates its tension with the artificial. The notion of edge, border, and limit — where the urban fabric, a product of culture, collides with the vast natural expanse of the river — becomes the starting point of the project, inviting us to rethink architecture as a complex and stimulating contradiction born from the clash of opposites.
From this premise arises the proposal: two spaces that embody the duality between, on one hand, rationalist order (minimalism) and, on the other, sensory exaltation (maximalism). The Miesian grid provides a conceptual framework: it organizes the plan through axial lines that influence the rest of the elements, which in turn propose different use situations.
The project therefore emerges as a territory of dualities and tensions. It is a maximized minimalism; it is both contemporary and modern: with straight, fragmented stone slabs paired with hyper-textured curves; a dynamic yet simultaneously static and framed vegetation. Its neutral tones balance the expressiveness of its materials, and its contradictions, ultimately, provoke an experience.
A territory of dualities: rationalist minimalism and sensory exaltation, at Madero Harbour.


The Madero Harbour complex stands out within Puerto Madero, a stretch of city where the skyline is mirrored on the water and the natural pulls against the artificial. The idea of the margin, the edge, the boundary where the cultural grid of the city collides with the natural immensity of the river becomes the starting point of the project, which invites us to rethink architecture as a complex, stimulating contradiction born of the clash between opposites.
From there comes the proposal: two spaces embodying the duality between rationalist order (minimalism) on one side and sensory exaltation (maximalism) on the other. The Miesian grid provides the conceptual frame, organising the plan through axial lines that govern the remaining elements and the different situations of use they set up.


The project emerges, then, as a territory of dualities and conflicts. It is a maximised minimalism; it is both the contemporary and the modern, with straight stone panels broken apart and hyper-textured curves, with planting that is dynamic and integrated yet also static and framed. Its neutral tones balance the expressiveness of the materials, and its contradictions, ultimately, provoke an experience.
Interior architecture rather than interior design: holistic work that turns every space into a container of sensory experience.


Since 2006 — built work in 0 countries.
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