The Madero Harbour complex is prominently located in the enclave of Puerto Madero, a territory where the city is reflected on the water and the natural world clashes with the artificial. The concept of margin, edge, boundary where the urban layout resulting from culture collides with the natural immensity of the river becomes the starting point of the project, which invites us to rethink architecture as a complex and stimulating contradiction due to the clash between opposites.

Hence the proposal: two spaces that embody the duality between, on the one hand, rationalist order (minimalism) and on the other, sensory exaltation (maximalism). The Miesian grid offers a conceptual framework: it organizes the floor plan through axial axes, affecting the rest of the elements that propose different usage situations.

The project then emerges as a territory of dualities and conflicts. It is a maximized minimalism, it is the contemporary and the modern; with straight, disjointed stone slabs and hyper-textured curves, a dynamic vegetation that is integrated, but at the same time static and framed. Its neutral tones balance the expressiveness of its materials, and its contradictions, ultimately, invite the provocation of an experience.